{"id":3614,"date":"2026-08-13T08:13:27","date_gmt":"2026-08-13T11:13:27","guid":{"rendered":"https:\/\/foto.art.br\/site\/?p=3614"},"modified":"2026-08-13T08:13:27","modified_gmt":"2026-08-13T11:13:27","slug":"ukrainian-dreamers","status":"publish","type":"post","link":"https:\/\/foto.art.br\/site\/2026\/08\/13\/ukrainian-dreamers\/","title":{"rendered":"Ukrainian Dreamers"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"800\" src=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/i-am-not-1992.jpg\" alt=\"\" class=\"wp-image-3622\" srcset=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/i-am-not-1992.jpg 554w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/i-am-not-1992-208x300.jpg 208w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/i-am-not-1992-100x144.jpg 100w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption class=\"wp-element-caption\"><strong>Boris Mikhailov. I am not I, 1992<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Ukrainian Dreamers: The Kharkiv School of Photography&#8221; \u00e9 o nome de uma exposi\u00e7\u00e3o que acontece na Litu\u00e2nia. Esta escola da Carc\u00f3via (Kharkiv), segunda cidade da Ucr\u00e2nia, n\u00e3o \u00e9 uma ecola f\u00edsica, mas um agrupamento de fot\u00f3grafos, sendo um dos l\u00edderes Boris Mikhailov.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nos anos 1970, numa ruptura com a fotografia conservadora tradicional, a censura sovi\u00e9tica da URSS que se esfacelava, o realismo socialista, como est\u00e9tica oficial do estado, um grupo de fot\u00f3grafos agita a fotografia. Inovando em linguagem, t\u00e9cnicas, nos d\u00e3o uma mostra do clima reinante na Ucrania da \u00e9poca.<br>Hoje um site divulga a escola e um museu criado em 2018, (vivendo no ex\u00edlio o Museu MOSKOP), refugiado da guerra, as cole\u00e7\u00f5es do museu foram evacuadas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nesta fuga ao realismo buscam divesos caminhos, vis\u00f5es subjetivistas, experimentalismos. Vale a pena um olhar para este momento hist\u00f3rico da fotografia Ucraniana, agora exilada, atualizando o conflito !<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"687\" src=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-1024x687.jpg\" alt=\"\" class=\"wp-image-3624\" srcset=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-1024x687.jpg 1024w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-300x201.jpg 300w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-768x515.jpg 768w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-100x67.jpg 100w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-1536x1030.jpg 1536w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/25.-Jevhenij-Pavlov.-Alternatyva.-1985.-Sidabro-zelatinos-atspaudas-fotomontazas.-Charkivo-fotografijos-mokyklos-muziejus-scaled-1-2048x1374.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Evgeniy Pavlov, fotomontagem, 1985<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"539\" height=\"800\" src=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/BRSO-08.jpg\" alt=\"\" class=\"wp-image-3625\" srcset=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/BRSO-08.jpg 539w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/BRSO-08-202x300.jpg 202w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/08\/BRSO-08-100x148.jpg 100w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><figcaption class=\"wp-element-caption\"><strong>Sergiy Bratkov, Sergiy Solonsky, Elections, 1997<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/ksp.ui.org.ua\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/ksp.ui.org.ua<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/moksop.org\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/moksop.org<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Ukrainian Dreamers: The Kharkiv School of Photography&#8221; \u00e9 o nome de uma exposi\u00e7\u00e3o que acontece na Litu\u00e2nia. Esta escola da Carc\u00f3via (Kharkiv), segunda cidade da Ucr\u00e2nia, n\u00e3o \u00e9 uma ecola f\u00edsica, mas um agrupamento de fot\u00f3grafos, sendo um dos l\u00edderes Boris Mikhailov. Nos anos 1970, numa ruptura com a fotografia conservadora tradicional, a censura sovi\u00e9tica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3622,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,14,12],"tags":[],"class_list":["post-3614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","category-fotografia","category-pessoas"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":7}},"_links":{"self":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/comments?post=3614"}],"version-history":[{"count":5,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3614\/revisions"}],"predecessor-version":[{"id":3626,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3614\/revisions\/3626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/media\/3622"}],"wp:attachment":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/media?parent=3614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/categories?post=3614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/tags?post=3614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}