{"id":3739,"date":"2026-10-17T16:09:08","date_gmt":"2026-10-17T19:09:08","guid":{"rendered":"https:\/\/foto.art.br\/site\/?p=3739"},"modified":"2026-10-17T16:09:08","modified_gmt":"2026-10-17T19:09:08","slug":"kimberly-schneider","status":"publish","type":"post","link":"https:\/\/foto.art.br\/site\/2026\/10\/17\/kimberly-schneider\/","title":{"rendered":"Kimberly Schneider"},"content":{"rendered":"<style type=\"text\/css\" scoped>.rbs_gallery_6ad8587546e24Spinner{\n\t\t\t\tmargin: 50px auto;\n\t\t\t\twidth: 50px;\n\t\t\t\theight: 40px;\n\t\t\t\ttext-align: center;\n\t\t\t\tfont-size: 10px;\n\t\t\t}\n\t\t\t.rbs_gallery_6ad8587546e24Spinner > div{\n\t\t\t  background-color: #333;\n\t\t\t  height: 100%;\n\t\t\t  width: 6px;\n\t\t\t  display: inline-block;\n\t\t\t  -webkit-animation: rbs_gallery_6ad8587546e24-stretchdelay 1.2s infinite ease-in-out;\n\t\t\t  animation: rbs_gallery_6ad8587546e24-stretchdelay 1.2s infinite ease-in-out;\n\t\t\t}\n\t\t\t.rbs_gallery_6ad8587546e24Spinner 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data-thumbnail=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/ks01.jpg\"  title=\"ks01\"  data-width=\"618\"  data-height=\"800\" ><\/div><div class=\"rbs-img-data-popup\"  data-popup=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/ks01.jpg\"  title=\"ks01\" ><\/div><div class=\"thumbnail-overlay\"><div class=\"rbsTitle \">ks01<\/div><div class=\"rbsIcons\"><i class=\"fa fa-plus rbsZoomIcon \" ><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div><script>var rbs_gallery_6ad8587546e24 = 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class=\"wp-block-paragraph\">Kimberly Schneider dedica-se \u00e0 arte da impress\u00e3o fotogr\u00e1fica manual h\u00e1 mais de 15 anos, especializando-se em filmes infravermelho, paisagens espirituais, fotogramas\/l\u00famens experimentais, entre outras t\u00e9cnicas. \u00c9 bacharel em fotografia (BFA), com forma\u00e7\u00e3o complementar em filosofia, pela Colorado State University. O trabalho de Schneider esteve presente em exposi\u00e7\u00f5es no Center for Photographic Art (CPA), na Scott Nichols Gallery, na AIPAD (Association of International Photography Art Dealers), no Photo Forward Los Angeles e na Soho Photo, entre muitos outros espa\u00e7os.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O primeiro contato de Kimberly Schneider com a c\u00e2mara escura foi um &#8220;amor \u00e0 primeira vista&#8221; \u2014 ou melhor, \u00e0 primeira inala\u00e7\u00e3o (do cheiro dos produtos qu\u00edmicos) \u2014, algo que ainda hoje molda sua pr\u00e1tica. Autodenominando-se uma &#8220;impressora espiritual&#8221;, ela encara a cria\u00e7\u00e3o de imagens como um ato de descoberta, no qual surpresas frequentemente emergem entre luzes e sombras. A poesia surge paralelamente \u00e0s suas impress\u00f5es, revelando <em>insights<\/em> \u00e0 medida que a imagem se materializa. Inspirada pela filosofia oriental e pelo conceito de &#8220;equival\u00eancia&#8221; de Minor White, Schneider v\u00ea suas fotografias como autorretratos do subconsciente, transformando paisagens em ve\u00edculos para significados mais profundos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Come\u00e7ou a fazer fotogramas porque seu laborat\u00f3rio fotogr\u00e1fico n\u00e3o estava pronto durante a pandemia. Quando voltou a ser poss\u00edvel usar uma c\u00e2mera, escolheu continuar trabalhando sem ela.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ela conta: &#8221; em 2019, levei sete meses para encontrar um encanador disposto a montar um laborat\u00f3rio fotogr\u00e1fico em uma resid\u00eancia particular em Nova York. Eu j\u00e1 estava h\u00e1 dois anos sem um laborat\u00f3rio em casa, e foi praticamente um milagre ele ter terminado a parte \u00famida \u2014 a \u00e1rea de revela\u00e7\u00e3o e lavagem \u2014 poucas semanas antes das restri\u00e7\u00f5es da pandemia. Pouco depois, a esposa dele deu \u00e0 luz e nunca mais tive not\u00edcias dele. Embora eu tenha recebido uma ajuda espor\u00e1dica e informal na parte seca \u2014 a \u00e1rea de amplia\u00e7\u00e3o e secagem \u2014 um ano mais tarde, n\u00e3o encontrei ningu\u00e9m disposto e dispon\u00edvel para concluir a maior parte do trabalho restante antes de ter que me mudar e guardar o equipamento quatro anos depois.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Minhas experi\u00eancias em Point Lobos tamb\u00e9m haviam elevado muito o meu padr\u00e3o; por isso, eu n\u00e3o me sentia inspirada a fazer fotos com filme localmente \u2014 ou melhor, a correr o risco de desperdi\u00e7ar filmes infravermelhos ou pap\u00e9is fotogr\u00e1ficos preciosos com elas, estando no meio de uma s\u00e9rie espec\u00edfica sobre a Calif\u00f3rnia. Como as viagens para o Oeste estavam suspensas para mim h\u00e1 v\u00e1rios anos antes da pandemia, eu j\u00e1 sofria de uma forte abstin\u00eancia de revela\u00e7\u00e3o fotogr\u00e1fica quando comecei a fazer fotogramas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A liberdade e a ludicidade de quebrar as regras tradicionais de revela\u00e7\u00e3o em laborat\u00f3rio, ao criar minhas primeiras imagens em gelatina de prata ap\u00f3s 2017, inspiraram-me a mergulhar fundo na fotografia experimental sem c\u00e2mera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mergulhei t\u00e3o profundamente no trabalho experimental que passei a ver meus fotogramas como obras de arte \u00fanicas que transcendem a fotografia. Al\u00e9m disso, trabalhar com neve, gelo, o Oceano Pac\u00edfico, algas, areia, flores e outros elementos abriu minha mente para a ideia do que uma fotografia de paisagem poderia ser como um objeto de arte singular; meus fotogramas me levaram de volta ao oeste dos EUA \u2014 figurativamente falando \u2014 antes mesmo de eu poder retornar pessoalmente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-819x1024.jpeg\" alt=\"\" class=\"wp-image-3757\" srcset=\"https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-819x1024.jpeg 819w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-240x300.jpeg 240w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-768x960.jpeg 768w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-100x125.jpeg 100w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom-1229x1536.jpeg 1229w, https:\/\/foto.art.br\/site\/wp-content\/uploads\/2026\/10\/Photographerseyephotoindarkroom.jpeg 1440w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.kimberlyjschneider.com\" target=\"_blank\" rel=\"noopener\">https:\/\/www.kimberlyjschneider.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.facebook.com\/kimberlyjschneiderphotography\/#\" target=\"_blank\" rel=\"noopener\">https:\/\/www.facebook.com\/kimberlyjschneiderphotography\/#<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8220;translated, editado&#8221;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kimberly Schneider dedica-se \u00e0 arte da impress\u00e3o fotogr\u00e1fica manual h\u00e1 mais de 15 anos, especializando-se em filmes infravermelho, paisagens espirituais, fotogramas\/l\u00famens experimentais, entre outras t\u00e9cnicas. \u00c9 bacharel em fotografia (BFA), com forma\u00e7\u00e3o complementar em filosofia, pela Colorado State University. O trabalho de Schneider esteve presente em exposi\u00e7\u00f5es no Center for Photographic Art (CPA), na Scott [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3753,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,12,13],"tags":[],"class_list":["post-3739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotografia","category-pessoas","category-tecnicas"],"_links":{"self":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/comments?post=3739"}],"version-history":[{"count":5,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3739\/revisions"}],"predecessor-version":[{"id":3759,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/posts\/3739\/revisions\/3759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/media\/3753"}],"wp:attachment":[{"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/media?parent=3739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/categories?post=3739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foto.art.br\/site\/wp-json\/wp\/v2\/tags?post=3739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}